Reviewed for MonsterLibrarian.com
The Physick Book of Deliverance Dane by Katherine Howe
Hyperion Voice, 2009
ISBN: 9781401340902
Available: New and Used
This book is not horror, but rather historical fantasy. The premise of this book is interesting–what if some of the “witches” hanged in the Salem Witch Trials actually were witches? However, the execution fails, first because the first two hundred pages of this book are spent hinting at this concept, of which readers are already aware.
The main character is a supposedly very intelligent woman working on her PhD thesis. While cleaning out a family house in New England she discovers hints at a book of shadows that might prove the Salem witches were really witches. The story is primarily about her search and her mental growth from complete skeptic to, um, not.
Detail, historical flavor and character building are Howe’s strong points. Storytelling, pacing and plot are her downfalls. The Physick Book of Deliverance Dane is about a historian telling the story of this neat thing they’ve researched, but with a last minute, obvious mystery plot tacked on, and some pretty heinous and unrealistic treatment of antique books. It’s less of a fast-paced mystery and more like a book wherein a mystery plot smacks an uninterested, and dense, main character in the head for 300 plus pages until she finally decides to do something about it. Not without merit altogether, the prose is pretty when not overwritten, the detail is interesting, when not overpowering the story and the historical scenes are inspiring. This book might have a place in the libraries of readers who love rich historical tales, but it doesn’t speak to a horror or even dark fantasy audience despite the subject matter.
ISBN: 1401219187, $9.99
Contains: Nudity, violence, gore, language
“A very long time ago…in the lands we call home…these things happened.”
So begins the first volume of Northlanders, the tale of Sven, a Viking warrior in 980 CE who leaves his plush Mediterranean lifestyle to claim an inheritance from the harsh cold lands of the North. But once there he encounters resistance from his uncle, Gorm, who is unwilling to hand everything over to Sven. Sven begins a one man war against Gorm and his men to get his money and his lands back.
Northlanders is a familiar tale of one man against a greater evil, dressed in brutal, vivid Norse clothing. The art is fantastic and explicit, bleeding emotion out in color. The story capitalizes on the hardest, most violent parts of Viking legends. But it has a soul too. Sven is a remarkable character, one worth following into the wilds of the world.
Northlanders is a solid addition to the libraries of horror, historical or Viking fans and a good graphic novel for those new to graphics to pick up.
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Trade Paperback: 9780982159613 , $15.95
The Monster Within Idea, R. Thomas Riley’s collection from Apex Publications is an exploration of monsters in all their various forms, supernatural and dark, beneficial and very, very malicious.
“Attrition” the first tale in this collection, is the story of an incarcerated man who is preparing for his release day. To be free all he has to do is walk out, where a vicious tunnel will either deem him worthy of being a part of society, or turn his sentence into a self-fulfilling death penalty.
“Touching God” is a surreal story of two boys trying to escape a personal darkness, only to find that something follows them back to the mundane world. A story of family tragedy, it’s heavily character based with an open ending that implies the worst is yet to come. Continuing with a child’s point of view, “Too Little” tells another short, dark story of victimization and revenge in a lilting, almost playful tone.
“Jenny” is the tale of a jealous lover, a woman who will possess or punish the man she loves. It’s a little too obvious, but a darkly amusing addition to the collection.
“Perfect” also uses a very female point of view, as a woman obsessed with body image imagines that as she airbrushes models’ pictures she also cleans them of their other flaws. If only she could fix her own life as easily.
The next two tales are both zombies stories. “Haven” is a wholly depressing story of a boy who is trying to get to his older sister after a zombie uprising. After days of traveling and barely surviving, he reaches the hospital where his sister works in the maternity ward, which has been overrun with zombie infants. As is often found in zombie tales the desolation is overwhelming and there can really only be one end.
“In the Beginning” could be the start of a longer zombie tale. The imagery of a bio weapon going off at a Six Flags amusement park is chilling, but the story is one readers already know.
Taking readers to the Old West, “The Run” is about a man hired to transport a mysterious package from one town to another. He’s warned not to look at or open the package, but a busted wheel leads him to being trapped in the growing dark, in the woods, with its contents. There’s a feeling of filler to this story, though it fits the theme. The setting doesn’t quite come alive, though the monster within certainly does.
Tales of love gone wrong is one of Riley’s strength, as is evident by the next two tales, both tackling the topic. “Twin Thieves” is a surreal tale, tinged with sadness, of a man trying to make things work between himself and his wife, at any cost, when some things are just meant to be broken.
“Tautology” is darker, displaying a different form of co-dependency and depression with a side order of stalker. As short as many of the other tales, this one is also stronger, despite the only action being the emotional ex-boyfriend repeatedly calling his love. It has a killer and an unexpected ending that makes the tale one of the strongest in the collection.
Going back to the Old West “A Pair of Aces, a Pair of Eights” tells of a gunfighter so loved by the people around him that even Death himself seems to want to take revenge on his killer.
The following tale, “Bubo”, is also primarily set in a bar. But in this bar a yuppie with a last wish finds a creature that shouldn’t be on Earth and learns that most wishes are better off just in your head.
“The Day Luftberry Won It All” is a surprisingly imaginative tale of Luftberry, a pool shark living after the apocalypse when other players are a fast fading commodity. In one of the last “Sin” bars in this semi-science fiction world, he is challenged by a strangely serpentine man. In a game for his soul, literally, Luftberry becomes so preoccupied with winning that he never stops to consider that the prize might not offer much of a victory.
“Just Decoration” is a revenge story that’s simply too short. The revelations are fired at readers like bullets, rather than slowly revealed, making them feel contrived. There’s no time to build up the character, thus their relationships, before suddenly they’re all dead and the reader is left feeling out of the loop.
“The Lesser Evil” pits the young black, ex-thug trying to do good against the stupid white corrupt congressman. A voyage that touches on the splatter scene with a grisly pair of murders with no solid explanation, “The Lesser Evil” is part discourse on racism and politics and part murder mystery.
“The Monster Within Idea” is remarkable for how very little it reveals, which only emphasizes the quest of the mysterious girl trapped in a closet trying to determine what’s real and who she really is. Where it could have delved into stark realism and drama, instead Riley merely hints and leaves the true horror for the reader’s minds to make up.
“Brittle Bones, Plastic Skin” is one of Riley’s best, and it’s a pleasure to say it’s been included in this collection. Here he walks the line between surreal and reality, pitting a man against an ancient evil with the lives of children at stake. Other tales have been told in the same style and fail, but this story maintains a level of dark, paranormal questioning through out, making the point of view changes only add to the robustness of the tale.
One of the longest additions, “The Core of Forgotten” pits a pair of children, bored and a bit criminal on a long summer vacation, against the neighborhood witch, who’s genuinely evil. When the kids’ stop watching the witch and instead break into her house they get more than they bargained for, ending up in a bloody, ruthless showdown with the witch, a demon and stand byers whose interests have turned from merely malicious to wicked.
Finally is “Only Spirits Cry”. An excellent way to end the collection this one is the long, emotional tale of a man who is willing to do almost anything to save his mother from death, because he’s done so before. A delicate weave of old magic, modern setting, childhood magic and unconditional love it’s one hundred percent pure adventure.
Riley’s strength lies in spinning emotional tales, often ones that involve or are told through the point of view of children. While not all the tales in this collection are the best of the best, there are several darkly brilliant gems that readers can be happy to have in one bound volume.
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*Reviewed for MonsterLibrarian.com
Tor, 2008
ISBN: 9780765319814
Available: New and Used
Yarbro’s cultured, enigmatic, vampire Saint Germain is back. This time he’s in Russia during the construction of St. Petersburg, as a spy in the Russian court, pretending to be a duke, a husband and a human. As Saint Germain tries to uncover the fate of the man he is impersonating, a man claiming to be Count Saint-Germain comes to town, threatening the real Germain and all of his entanglements.
Exquisitely detailed and smooth, A Dangerous Climate is a vivid, complex tale of political intrigue, led by a fascinating character who is almost harder to figure out than the full scope of Yarbro’s plot. Yarbro is the author to go to for historical fiction. She packs amazing detail into the world, so that readers open the book and feel as if they are there, in the middle of a completely different time and culture, enthralled through Germain’s voice and intriguing stories. Highly recommended for permanent personal and library collections.
10
Dec
Persia Walker is giving away her new book, Darkness and the Devil Behind Me, on here web site here. Blurb below.
In December 1923, Esther Todd was a lovely young pianist, a rising star. One month later, she was on the Most Wanted List. She had vanished along the snowy streets of a stormy night in Harlem and thieves had hit the home of her society patron, pulling off a million- dollar heist.
Were the disappearance and the robbery coincidence or conspiracy? Somebody knew, but nobody was talking. Three years later, the puzzles remained unsolved.
As a crime reporter, Lanie Price covered the initial case. Now a frustrated society columnist, she’s ready for a change. It comes in the form of Esther’s sister, Ruth.
Desperate for closure, Ruth begs Lanie to dedicate her Christmas column to the case. Maybe someone, somewhere will remember something. Seeking fresh material, Lanie starts asking hard questions, dangerous questions, the kind just about guaranteed to get her killed.
23
Oct
The Reincarnationist by M.J. Rose is available as a free download for a very short period of time here. Blurb below (from M.J. Rose’s web site).
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THE REINCARNATIONIST is equal parts modern-day thriller, historical fiction and love story. With one foot in present-day Rome and New York and another in Rome some 1,600 years ago, my story is about two worlds consumed by the fires of intrigue and passion.
Photojournalist Josh Ryder survives a terrorist’s bomb, only to be haunted by near hallucinatory memories of a past life in Rome as a pagan priest whose dangerous congress with Sabina, one of the Vestal Virgins, poses a transgression so serious the lovers will face a certain death if exposed. Scents of jasmine and sandalwood and images of furtive liaisons and violence descend on Josh at will, pulling him to an ancient yet strangely familiar Roman burial chamber harboring the remains of a woman clutching a wooden box.
A trail of present-day murders takes us deeper into a labyrinth at whose heart lies the enigma of a collection of ancient gems or memory stones whose origins trace back to both ancient Egypt and India. The stones’ promise to “assist the wearer in reaching his next incarnation” sets the ancient and modern worlds on a collision course.
*My review of Dance with Deception is here.
-Of all the periods of the past, why did the Victorian era call to you?
Both the Victorian and Regency eras are among my favorites. The reasons that I chose the Victorian era as the setting for Dance With Deception were quite simple, really … plot and research.
Dance With Deception is the first of a trilogy and, when choosing the time period, I had to keep all three novels in mind. I knew where I wanted to take the plot and what politics/inventions/modes of transportation/battles were necessary so I set the plot in early Victorian times.
-Gwen is obviously an intelligent woman, and split between defiance and duty. Did you model her after anyone in particular?
From the beginning, I always saw Gwen as an intelligent, compassionate woman whose opinions were cast aside for no other reason than the fact that she was born a woman. When writing about Gwen’s plight, I didn’t model her after anyone in particular but, rather, tried to put myself in her shoes. I imagined being in a situation where women had no rights and were beholden to their guardians. I tried to delve into Gwen’s emotions and wanted to portray not only her helplessness but her anger at being placed in such a position where she must chose between her heart’s desire and her duty to her father.
-What about Sebastian? Yum! Can you tell us a bit about the difficulties of making these two characters so passionate about each other?
The love and passion that Sebastian and Gwen felt for each other was truly easy to write – perhaps because I’m a romantic at heart? What I had to work extremely hard on was goal, motivation, conflict – what every Romance Author learns about when studying craft. I had two characters who truly loved each other and then had to make their actions, their journey believable.
-Dance with Deception is a very texture-oriented story. How did you manage to pack such sensory details into your book?
With a great deal of effort! I want readers to feel transported to the world I write about so the necessity of the characters and, therefore, the readers to experience the tale through all senses is something I concentrate on from that first draft straight through to the final draft.
-How much research did you have to do for Dance with Deception?
Every Historical Author does a great deal of research. My office book shelves are overflowing with research books on topics spanning everything from the Victorian era and British history to costumes, etiquette, and even the complete guide to horses and riding. I also have research books on Greek mythology, astronomy, a dictionary of plagues and pestilences, Latin quips, castles, and royal palaces. It never ceases to amaze me where inspiration originates or, for that matter, how much of it flourishes from research.
-Have you thought about tackling any other periods?
I have considered other time periods and currently have several stories outlined (in the Regency and Contemporary periods) but, for now, I continue to write about the Victorian era.
-What are some challenges you feel romance writers have that other genre writers might not?
Romance writers tackle the stigma that comes from writing Romance – the same stigma that comes from reading it, for that matter. Despite the fact that Romance fiction is a billion dollar a year industry (per Romantic Times Book Reviews magazine), there are still people who shun Romantic fiction. How many times has someone frowned when seeing that you’re reading a romance novel? The same holds true when some discovers that you’ve written one. But, regardless, the fact remains that people both write and read romance for the same reason – because we enjoy it. I hope that my love of the Romance genre is evident through every page of my novels.
-Do you think as a romance writer you have any advantages over writers of other genres?
I can’t speak of other genres, but I can say that the Romance community is the most wonderful and encouraging that I can imagine, thanks in part to organizations such as The Romance Writers of America. In what other genre can a debut Author receive Author quotes from New York Times Bestselling Authors Barbara Dawson Smith and Hannah Howell, and from Bestselling Author and RITA winner Gayle Wilson? I count myself blessed to be part of such a genre.
-I love hearing about the origins of stories. Where did Dance with Deception come from?
Dance With Deception began as a story in my imagination, one that I’d wanted to tell for some time. I honestly don’t know where or when it originated but perhaps it was born from every novel I’d ever read such as my favorite classics by the Bronte sisters and Jane Austen?
After imagining my characters and this story for so long, it was my husband who encouraged me to finally write Dance With Deception. Honestly, so much of Authoring a novel stems from love – love and encouragement from your loved ones, love of your story, your characters, the genre and the craft. Many of us don’t know if anyone will like the story we’re writing or if anyone will publish it but we write it anyway – because we love doing so. For anyone currently experiencing this, I want to add that dreams do come true … I’m proof of it. Dare to dream!
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-What do you have planned next?
I am currently completing my next two in the trilogy, Enticing Eve and The Skilled Seduction. My hope is that, like with Dance With Deception, people enjoy reading them as much as I enjoy writing them.
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I think Dance with Deception is my first straight historical romance, if so it’s an enjoyable introduction to the Victorian era. (And a fun change from my more commonly read Victorian tales, most notably those of the Lovecraft mythos.)
Gwendolyn MacAlistair’s father is supposedly dying and she is being forced into an arranged marriage with his close friend and near constant companion, Kier. But since their re-introduction as adults Gwen can’t rid herself of thoughts of Sebastian, a duke now, but like an older brother to her in childhood. But both Gwen and Sebastian find themselves unprepared for the manipulations of her father and Kier, and for the deep family secrets that are about to be revealed.
Dance with Deception has all the classic ingredients of successful romance. Sebastian is haunted by a loveless past. Gwen is a feisty woman in a time that doesn’t appreciate her, being manipulated into a proper, dutiful marriage with a man who seems to have no redeeming qualities. The attraction between the two is sizzling and the drama is spot on and satisfying.
Being new to historical romance I can’t say how it rates in period accuracy, but the details of the setting neither disrupt nor overwhelm the love story. Even though it’s over four hundred pages I read this one pretty quickly and found it hard to put down. The best thing I can say about it is that it’s quite the sensory novel, woven with tastes, smells and sounds that other authors sometimes forget. All in all Dance with Deception is a solid, if not enjoyable debut.