Black Jack Derringer: The Ace of Spades is like one of those little four-piece Whitman’s Samplers. You end up with a good idea of what the story’s going to be, but it’s over and gone just when you’re really ready for more.
Wild Alice West is not a woman for breeding or homemaking or any of the other things the Wild West-flavored land called the Skillet considers women good for. She’s a bounty hunter, plagued by a bit of bad luck, a mouth that constantly gets her in trouble, a society that can’t respect her and the fastest shot she’s ever met. (She’s humble too….)
Full Review at DarkScribeMagazine.com
In January 2010 Apex Magazine kicks the year off with a special 2012/End of the World edition. Featuring the essay “2012: The Good, the Bad, and the Apocalyptic” by Dr. Amy Sturgis and an Editorial Disposition column from Editor-in-Chief Jason Sizemore on our obsession with the end this edition offers more than just fiction for those who love speculations of the future.
The fiction offerings include; “Wondrous Days” by Genevieve Valentine, a disturbing tale about a scientifically engineered end of the world, in Mayan fashion, designed to reset things and fix the problems humans inflicted on the planet; and “White Christmas” by James F. Reilly, a story it seems we can all relate to this particular winter, where the end comes in a blanket of snow and human desperation, yet somehow fails to completely suppress the human spirit.
The February 2010 issue kicks off with “p.a. chic” by Tobias Amadon Bengelsdorf. Birthing the wisest bit of advice to come from Apex in a while, “Dystopia is best viewed from a distance.” this tale is strongly reminiscent of Matheson’s I Am Legend, without the company of mutation and monsters.
“The Lady or the Tiger” by J.M. McDermott is a science fiction farming tale, strongly familiar to the style of Rudyard Kipling, and his peers of the late 1800s era. A juxtaposition of that strong, exotic storytelling style, and a landscape of alien planets and crash landings the elements are blended well and make for a very interesting read.
“The Killing Streets” by Colin Harvey rounds out the February issue. A strongly spun tale of a future where government “precautions” (and secrecy) and bio lab mucking about have resulted in the city streets being haunted by disease and a species of mole-like animal that eats human prey. Despite the drastic (but not terribly far-fetched) world differences, Thom is facing real, modern problems; struggling to care for an aging parent, and deciding whether to live with the woman he loves, but who can’t support the family she already has, and remaining in his existing marriage with a woman he no longer loves, but who keeps him comfortably supported. The focus is on the emotional life of the story, making this tale easier to relate to than some of the other science fiction tales out there.
Apex Magazine continues to delivers fine fiction and appears to have also taken on the task of challenge itself to change its tempo and tune in its quest for excellence.
16
Feb
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The December 2009 issue of Apex starts off with “59 Beads” by Rochita Loenen-Ruiz. This tale of technology enhancing artistic ability and definition reminds me very much of Paolo Bacigalupi’s “The Fluted Girl”. Exploitation, perversity and passion fuse together in this tale of a girl willing to give everything she is up for the health of her sister.
James L. Sutter’s “Overclocking” focuses on a series of slices from the life of a drug dealer in a future where drugs are codes that can be jacked into a human brain and bad code means more than just a bug in Vista. A fast, and in ways, cold read, this is a good choice for readers who want a short, hard taste of Apex before deciding to commit.
Also short and hard, “Exit” by Jeff Carlson is a virus tale with little meat to spare. Tight and to the point it nevertheless hits hard, and will appeal to the zombie apocalypse fans out there.
The December’s issue also includes and editorial from Apex Editor-in-Chief Jason Sizemore as well as interview with Nicholas Buckman and B.J. Burrow.
ISBN: 978-1-60168-141-6
I was given this book to review.
An alien species has landed on our planet, but do to a bloody miss understanding instead of trying to befriend us, they’ve built a city under Philadelphia and now they prey on us, their killings surfacing on our streets as a serial killer working in one small area.
Now that the matriarch of a local family has died her secrets are coming to light, the least of which is that one of her children is a half breed (and telekinetic), her father being one of the people eating aliens.
The aliens look like humans, except for having pointed teeth and red eyes. Furthermore, they’re targeting one small area (and have been since 1960) because they’re trying to punish the people who accidentally killed one of their own, and they routinely kidnap people and keep them in a slaughterhouse of sorts, taking a piece of them at a time for food. And yet in almost 50 years no one has found their underground city, and the police haven’t solved the “serial killer” cases in the tiny area (even though a person at the local university later mentions they have samples of the killer’s blood).
If you can embrace this flawed logic, you’ll find Dark Side of the Moon to be readable and nicely paced. However you’ll also find a cast of characters who are strangely stupid (one keeps close track of her periods, but doesn’t realize she’s pregnant until the reanimated corpse of her mother tells her so despite being 3 months late), absolutely trusting (when the blood doesn’t match any know humans the people immediately assume that means it’s alien), and apparently all involved in a who-can-be-the-biggest-asshole contest. Almost everyone in this book is mean to each other, showing no restraint.
The writing is not bad, but the storytelling leaves the reader with no characters to connect with, many moments of confusion because of logic leaps (like the humans and aliens cross breeding with no apparent problems, and the humans assuming “alien” in the first place) and a lack of any conflict other than; blood thirsty aliens kill and eat the humans, humans fear the unknown and kill the aliens (also, the aliens are much more advanced than us and though they can clone organs, they eat humans out of vengeance).
In the end the family is called to work together instead of continuing to fight each other, and after some tragic events there’s a moral-infused ending encouraging others to always give second (or third, or whatever) chances and everything can end for the better. Except this is a horror novel. So tacked onto the happy ending is a horror ending that mirrors the opening of the book, bringing Custer’s world full circle.
If you love B-style monster or alien stories you’ll probably like Dark Side of the Moon. If wishy-washy science and almost universally mean characters both you, best to skip this one.
Apex Magazine is a free online magazine. Read it here and consider donating to keep further issue coming.
October 2009’s issue of Apex Magazine opens with Alethea Kontis’ “A Poor Man’s Roses”. On the surface this is a tale of a woman held prisoner and milked for the medical boons that her body produces. Beneath the surface it’s a tale of a woman finding her power to walk away from an abusive love, by walking away from love itself.
Peter M. Ball’s “To Dream of Stars: An Astronomer’s Lament” follows, a sad story of a man’s relationship with his dreams. John dreams of being a royal astronomer, but the cost of information of the stars is more than most people under the Queen’s rule can bear. Cruel, but tempered with a folk or fairy tale feel it’s a punishing tale.
“Yellow Warblers” by Jason Sizemore is now a thrice-published tale of the close minded habits of a rural town and how it, when combined with extraterrestrial species, leads t their own downfall.
“Ghost Technology from the Sun” by Paul Jessup, concludes this issue’s fiction section. Another mix of dark fantasy and science fiction it’s an Alice in Wonderland/Jim Jones/zombie tale of the surreal (and in this case largely imaginary) line between the dead and the living and how they feed each other. Another disturbing, but lovely tale, and another mark Apex manages to leave on the images of genre and storytelling.
Also in this issue is “Brain Matter: Must-Reads from Ekaterina Sedi”, an interview with Brandon Massey and “After, Thoughts—A Pantoum” by J.C. Hay, a poetic finishing flourish, reminding readers Apex can find pretty in gutter horror tropes as well.
The November issue, a special international issue, opens with Aliette de Bodard’s “After the Fire”. Set in a reoccurring Bodard world it perhaps has more value to those who have had the pleasure of reading more of Bodard’s work. Newcomers will find a sad story of a ship, one of the last fleeing from the destroyed Earth, weighed down with survivors judged important, and the ghosts of those who were left behind. It makes one want to read more, and perhaps to someday have the opportunity to read more of Bodard’s bits of vision in one collection.
“Benjamin Schneider’s Little Greys” by Nir Yaniv is the tale of a hypochondriac to ends up with a real, big problem after a visit to his trusty doctor. It’s an interesting idea, but wasn’t developed enough for my tastes. I would have gladly read more, and wanted a larger understanding of the “disease” creeping through Benjamin.
“An Evening in the City Coffeehouse, With Lydia on My Mind” by Alexsandar Žiljak is the last fiction tale of this issue, a back and forth story of aliens, spyware and porn. Engaging and quick moving it’s a fun must read for SF fans.
Summing up this issue is the editorial, “A Celebration of World SF” by this issue’s editor Lavie Tidhar and an interview with Tunku Halim.
5
Jan
ISBN: 9781906584122
I was given this magazine for review.
Issue 8 of Murky Depths is chock full of tight, short tales of speculative terror. It opens with a poetic ode to the corporate head honcho bad guy, “The Majority Shareholder” by Edward R. Norden.
Then comes an end of the world tale where the most important character is a cat, David Tallerman’s “Peachy”, followed by another chiaroscuro graphic strip from Luke Cooper, “The Wrath of God part 1”. This time Cooper’s favorite characters, Halo the Nephalim and Goulding, the cop with a heart of an angel, literally, still can’t escape getting the weird cases. They’re facing a vigilante that’s decided killing Halo is the way to get back to Heaven. It looks to be an interesting new storyline in Cooper’s wicked noir world.
“What the Tongue Will Taste” by Sam J. Drane is a money-and-power tale of what men who have it all and have done it all do when they get bored. There are clones involved making this tale a fun little masturbatory fantasy, depending on how you look at it.
Geoffrey Girad’s “Collecting James” is also a tale of a rich and powerful man getting what he wants. In this one he wants the gifts others have he doesn’t, and takes them from his victims in the form of trepanning and discs of bone that retain their former owners’ memories. But the twist in this one is better than readers will expect.
“Hero in Hell” by James Johnson (the piece that inspired this issue’s awesome cover) is a great concept, a super hero finds himself in hell after death, but it suffers from the most common problem in these graphic shorts, there’s just so much more story to be told than can come out in this space. It was sad to see it end.
“Out of Time” by J Westlake is predictable, but the storytelling here is more about experiencing the story, which is a very accurate and interesting portrayal of depression. Readers can walk in the experiences of the depressed main character as his isolation and uncontrollable sadness take literal forms in the story world.
Following the mental illness theme (and the writer theme established with “Collecting James”), Christine Luca’s “My Muse Wears Army Boots” is a tale of hypergraphia, the compulsion to write, sparked by a sadistic and abusive muse. The interesting early set up of a wanna be writer who can read corpses is dropped in favor of the hypergraphia angle, making this tale feel like two in one. The plot line at the end is easy to anticipate, taking some of the umph out of the story, even if the visuals are strong.
“Recall” a graphic strip by Chris Huff follows, pitting eternal youth against fate. It’s immediately followed by a glimpse at another artist’s vision of Huff’s tale, as the first artist was forced to abandon the tale. It is interesting to see how two people visualized and affected the same story.
“The Undead” by Lawrence Buentello is the best of the issue, and the kind of story you want to point out to other people, saying “Read this one.” J T is suffering from the loss of his wife, but his lasting love with her leads to the power to bring back the dead—all the dead—within the vicinity of J T, except for the one thing he wants back. With a chilling, almost beautiful end it shouldn’t be missed.
“Endless” by Sylvanus Moxley is the second poem in this issue, and not altogether a dismal or depressing one. In fact, in a way, it’s an almost hopeful tale of a man trapped in a ship orbiting the moon.
“Monitor” by Richard Rippon delves somewhat into postpartum depression, except poor new mom Sarah is dealing with a truly evil little newborn. Uncomfortably creepy it’s also an excellent read.
“Nosing with the Four-Stroke Kid” by KC Ball is another short, spiky addition to this issue, the tale of a unique motorcycle and its rider. Finally comes “The Pilgrimage” a last graphic offering by Kristopher Barker, about a woman who will go to any means to find her path to salvation.
Another fine collection of tales, Murky Depths bears a resemblance to the classic Tales from the Crypt publications, only with significantly better stories.
27
Oct
ISBN: 9780441017812
I bought this book.
Doubleblind, the third book in Aguirre’s SF-romance series, isn’t going to be my favorite book in the series. In this volume jumper (a special kind of person who can navigate the subspace area that makes deep space travel possible), ex-criminal and formerly broken Sirantha Jax lands on the infamously closed planet Ithiss-Tor, home of bounty hunter-turned-friend, Vel, on a mission to forge an alliance between humans and Ithtorians to save both from the savage cannibal Morgut who are raiding space ports and far planets, leaving occupants dead. With her mother (head of the criminal Syndicate) trying to make sure she fails, and lives depending on Jax’s success, not to mention the Ithtorian repulsion of humans, disaster is not just possible, it’s imminent.
First the good, Aguirre maintains a full cast of characters, each with unique strengths and weaknesses and stories. Jax’s struggle to shuck her selfish, party-girl past comes to odds with the responsibilities and expectations others unfairly put on her creating a tense, conflicted inner dialog as the story moves on. Jax’s personal quest to rebuild the mind of March, once her lover, a psi forced to cut himself off from his emotions to mentally survive a war thrust on him by manipulations of his personal honor, is especially heart breaking.
Aguirre spins a fascinating world in Ithiss-Tor, home world of a bug species that, true to type, communicate as much with body language and scent as with verbalized language. This is truly a reason to pick up this book, as the imagery is complex and solid, not to mention the Ithtorian characters are full developed despite being such a inhuman race.
Aguirre’s rich and descriptive world and characters are as solid as ever in Doubleblind, so already established fans will definitely want to continue with their story.
And, finally the bad. Aguirre, with Doubleblind clearly comes down on the side of romance rather than maintaining a fine split between romance and science fiction as in the previous novels. A large amount of the drama and tension has to do with the personal relationships between the characters. In the end I was left with a feeling that conflicts were tied up too neatly, with very little actually conflict, just emotional strain.
March’s method of recovery is truly interesting, but easier than I expected. Add to that only one true fight scene in the whole book, which Jax largely avoids, and a climax with wired in tension, but no conflict after all is said and done and I was left with a bit of a dissatisfied feeling with this addition to the Jax world.
I badly wanted to see Jax throwing down in some sort of ritual combat to prove her worth to the Ithtorians and earn at least some respect from them instead of primarily suffering emotionally and playing politics. She is such a contrary, stubborn and steel-souled character that all the politics, as Jax herself worries about in the book, neuters her too much for my tastes.
I hope Aguirre finds a place between emotionality and action for the next book. Coupled with the vivid details, fine characterization and inspired writing it makes for excellent writing, which is what I’ve come to expect from this series.
19
Oct
Murky Depths 7
ISBN: 9781906584115
Murky Depths stands out among the offerings of the small press, largely because it contains graphic strips and illustrations, as well as the mix of dark genre work that I find simply tantalizing.
Issue 7 features a large number of dark science fiction tales, each one excellent examples of the genre.
“Scratch” by Jason Palmer is half mystery and half psychological science fiction where people wear their obsessions and addictions on their arms, or legs, or tongues, and the battle to resist self destructive tendencies overshadows the battles of good and survival and everything else.
The first graphic offering, “A Brief History of Dogfighting” by James Johnson is a silent film, of sorts, with a deeply ironic tone and a fast pace. Following it and backing up the silent film feel, is a behind the scenes feature which chronicles the evolution of the storyline and the story as a piece of art.
“The Longest Road in the Universe” by CS MacCath is an incredibly emotion piece, easily the kind one might find in a larger publication, following a member of a species bred and genetically manipulated to love and serve a “higher species”. But when their parental figures who used and abused them vanish a whole race has to face their own abuse, with varying, and in this story almost lovingly detailed, results. This is definitely one not to miss.
The immediate follow up, “A Healthy Outlook” by Bill Ward, is a short, tight piece that shows the same sort of mental turmoil, from the point of view someone so die-hard-determined not to be a victim that the farce reaches a morbidly funny point.
“Viewer’s Choice” by Willie Meikle keeps to the themes of obsession while softening the science fiction focus. Here the lead can’t break away from his television, to the point that all the major memories in his life have a direct link to a television event. A situational story, it nonetheless clearly comments on our favorite societal past time.
“Bite the Bullet” also by James Johnson, is a fantastic romp through the limits of future technology, exploring how technology affects us, for good or ill.
“Psong” by Ian Rogers has less focus. A story about a futuristic assassin, the reader is loaded down with personality and detail without much context. Of course since the lead is a telepath and an object reader this adds more strength to the point of view of the assassin, but readers still have a very limited view of why this story is taking place at all.
“Survivalist” by Kevin Brown is one of the best vampire stories I’ve read lately, bringing the old Gothic critter into the modern world without turning it into a sex idol.
“Bait” by Paul Milliken follows the vampire story with its natural counterpart, a shape shifter story. This one follows the more traditional formula of an ordinary person whose life intersects with a monster. But this monster comes from the sea and remains more of a mystery than readers might like.
Luke Cooper’s “Flashback” adds another tale to the collection surrounding his gritty detective neck deep in the war between Heaven and Hell. In this addition to a potentially interesting plot, readers learn how Goulding got sucked into the Big War in the first place, but his role in it still remains a mystery.
Finally comes “Haruspex” by William Douglas Goodman, a second place finisher to the earlier “The Long Road Home” which brings the issue back around to tales of twisted mentality. In this story a boy finds that he’s gained the ability to get visions from dead animals, which has interesting results when your father is a trophy hunter.
All together here’s another fine issue that shows the people behind Murky Depths have their head on straight. I look forward to more.